Ludendo docet (2024)

Portrait of a film critic as seen by a filmmaker. While contemporary cinema manipulates reality by hiding itself, this experiment manifests the opposite in an explicit way. The film critic was asked to travel to the city of Bergamo to participate in a 70-minute film experiment: savoring 2 kg of oysters and drinking 2 bottles of wine, while simultaneously answering 15 general knowledge questions and 15 prompts of a private and personal nature. The outcome is a ruinous game in which the meaning of filming and the fragility of a human being merge into a melancholic testament.